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Purchase and download this album in a wide variety of formats depending on your needs. #Rise against the sufferer and the witness album cover download The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. However, 'Chamber the Cartridge' doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. In the case of progressive rock, a genre relocated from the pop charts to sheet music stands and art rock-favored stereos over the past four decades. Martin Luther King, Jr., who also used suffering as a strategy to highlight social injustice and call for ethical, social, and political renewal. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004s well-received Siren Song of the Counter Culture.

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'I just like it that I'm finally fucking in tune. The guitar itself doesn't really matter, what matters is what you're doing with it.'. For me, it's always been about writing songs, and playing shows, and practicing and playing. It doesn't matter what you have, it kinda matters what you do with it. It was like 'we're not human beings, we are next-level super heroes - you can't do what we do'.īut when I heard The Ramones, and I heard like Minor Threat, and I heard all that, then I was like 'this is something I can be a part of'.' 'So in that regard, I'm not really a guitar person, I see them as tools. Because when you heard 80's hair metal back in the day, those guitar players were uber talented. It's amazing.' Tim wraps up, touching base on his initial epiphany as a musician: 'Once I heard punk rock, it made me really want to learn how to play the guitar. I mean, we take care of our stuff, but even if it's small stuff like clip straps rubbing the paint off the guitar, I want to use guitars I can put stickers on and scratch up and not really care.' On EverTune: 'It's voodoo technology. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. an ADHD sufferer, a millennial with 3rd world experience, and a guy that likes.

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When asked about his live rig, Zach adds: 'I play these Les Pauls because I play really hard and they can take a beating. Listen free to The Sufferer & the Witness The Sufferer & The Witness. Artist send music to Support this podcast. Yes, it is a nerdy musician thing, but it helps us deliver the best performance we can in the studio and live.'

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As professional musicians, they just want stuff to work.' Says Tim: 'Evertune keeps our guitars in tune, which frees a lot of time to be more creative and worry less about the technical aspects. While chatting about Rise Against, he says 'Tim and Zach are both really easy going, down to earth and enthusiastic people. Above, LPs in Fren's workshop prior to last year's tour. Wolves was recorded in 2017 with Nick Raskulinecz, who some of you might recall worked with EverTune users Munky and Head from Korn on their 'The Serenity of Suffering' album.Ĭertified EverTune installer Fren at Asken Guitars has been installing their bridges since 'Day One'. With a career spanning two decades, Rise Against have released nine albums.Īs early EverTune adopters, Tim and Zach have been recording and touring with their EverTune'd Gibsons since 2014's The Black Market with producer Bill Stevenson.

The sufferer and the witness artist